Against Interpretation and Other Essays by Susan Sontag (Penguin Modern Classics)

Susan Sontag’s “Against Interpretation and Other Essays” is a landmark collection published in 1966 that established her as a major voice in intellectual circles. The title essay, “Against Interpretation,” argues against a critical approach to art that prioritizes dissecting meaning over experiencing the work itself. Sontag critiques the overemphasis on content and intellectual interpretation, advocating instead for a more immediate and sensory engagement with art.

The collection encompasses a wide range of topics, showcasing Sontag’s intellectual curiosity and ability to bridge the gap between high and low culture. Alongside “Against Interpretation,” other notable essays include “Notes on Camp,” a playful analysis of aesthetics that revels in artifice and theatricality, and discussions on figures like Sartre, Camus, and Godard, reflecting the intellectual ferment of the mid-20th century.

Sontag’s prose is sharp and engaging, making complex ideas accessible to a broad audience. “Against Interpretation and Other Essays” is not just a critique of art criticism; it’s a call for a more direct and passionate encounter with art in all its forms. Whether you agree with her arguments or not, Sontag’s work is sure to spark thought-provoking discussions and challenge your preconceived notions about art and its role in society.