Description
This book on Indian music during Delhi Sultanate is an impression of intermingling of Indian Music with Persian and Arabic Music. This was the Persian which marked bifurcation of our hitherto unofirm music into two streams; Hindustani and Karnatak forms. The book deeply observes the role of the Royalty, the Subjects and the Reformists in changing yet preserving the soul of our music system and has tried to rule out the myths. The hallmark of the book is reflected in bringing the original works and manuscripts to the limelight.
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